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Autumn: Aftermath Page 2
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Shit.
He knew before he looked around again that he was in trouble. Many of them had noticed him now, and their reactions had, by turn, attracted even more. He might as well have fired a starting pistol into the air because, up ahead and behind and all around him, huge numbers of the dead were reacting to his presence. They began to peel away from the edge of the immense crowd like a layer of dead skin, and he knew he had to move fast. Fortunately, several of the pitiful monsters lost their footing in the confusion and were trampled by their desperate brethren. He glanced up at the castle in the distance, visible intermittently through the crisscrossing chaos. Could he still make it? It had been a while since he’d taken a chance like this. Christ, he hoped so.
Jackson swung his heavy rucksack off his shoulders, using it to smack the closest few corpses out of the way as he did so. He ran, kicking out as a foul, bald-headed creature with a hole eaten through its face where its nose used to be lifted its arm and lashed at him. He jumped up onto the bonnet of a Vauxhall Astra—his sudden change of direction causing temporary mass confusion—then climbed up onto its roof. He stashed his metal pipe, then opened one of the backpack’s side pockets and dug deep inside, finding what he needed almost immediately. As more of the dead tried to grab at him with hands drawn into spiteful claws by decay, he took out a packet of fireworks wrapped in a clear plastic bag. Ignoring the creatures as best he could, and occasionally stamping on fingers which got too close, he unwrapped a rocket and fumbled in his trouser pocket for his lighter. Distracted trying to light the blue touch paper, he didn’t notice when one of the bodies managed somehow to grab ahold of the bottom of his right trouser leg. The crowd around the car surged unexpectedly as more of the dead arrived, and the body holding onto Jackson was pushed back. When it appeared to tug at him, he tried to pull away and overcompensated. The heel of his boot slipped down onto the curved surface of the windscreen and he lost his balance, crashing down onto his backside and leaving a deep dent in the hood. He screamed out in pain—the noise attracting yet another sudden surge of dead flesh—and almost dropped the rocket he was trying to light. He spat in the face of another wretched carcase (because he didn’t have hands free to do anything else) then scrambled up onto the roof, straightening his legs and sliding his backside up the glass. The touch paper caught suddenly. Jackson ignored the intense heat and the shower of sparks spitting out over his hand, and aimed the rocket down into the center of a pocket of seething corpses a safe distance away. The firework whooshed away before coming to a sudden stop, embedded in the chest of a dead car mechanic who reeled back on its heels and looked down at the jet of flames sticking out of its belly—just before the rocket exploded.
The noise and flames had exactly the effect Jackson had hoped. Almost immediately the focus of attention shifted away from him and toward the mechanic, who was still staggering around despite the fact he was burning up. Jackson lit a second rocket and aimed it up into the air. The piercing scream it let out as it raced up toward the gray clouds was enough to distract an enormous number of corpses, and as they lifted their tired heads skyward he jumped down from the car and ran for all he was worth. He crossed the road and the gravel car park, then tripped over what was left of a barbed-wire fence which lay flat on the ground, already trampled down by the crowds. He lit a third rocket as he picked himself up, and shoved it into the gut of something which looked like the kind of kid he’d have done his level best to avoid. It looked down at itself, bewildered, jets of blue and green flame suddenly spitting out through various holes in its chest. Stupid thing still had a baseball cap on, glued to its head by a month’s worth of dry decay. And it was the wrong way around, peak at the back. Jackson bloody hated it when they wore their caps back-to-front like that.
As the corpse exploded behind him, he dropped his shoulder and charged deeper into the heaving throng. Many of them were now trying to move away from the castle, heading back in his direction to get closer to the flames. He felt like a derailed bullet train, smashing bodies away on either side, not entirely sure where the hell he was going or where he was going to stop. He just kept moving, knowing that every step took him closer to the castle in the distance.
Deeper into the dead hordes now, and here they had no idea he was close until he made contact. Some were still trying to fight their way toward the fireworks, but most were looking the other way, facing the castle. He simply pushed them aside and clambered over them when they fell. And then, unexpectedly, the ground dropped away in front of him. Within a few steps he found himself suddenly having to wade through a mass of tangled, fallen bodies rather than running between and around those still standing. A few steps more and he was knee deep in churned remains. He looked back and saw that he’d stumbled into a wide ditch—the overgrown remnants of an ancient moat, perhaps. It was filled with bodies, trodden down and compacted into a repugnant gloop beneath his boots. Despite being trapped, some of them tried to keep moving, and Jackson ducked as a dripping, virtually fleshless hand swung past his face, sharp, bony fingertips just missing the end of his nose by millimetres. He was struggling to keep moving, the decay sucking him down, and then the reason for its depth became clear. The deep furrow here had acted like a valve: the dead had been able to get in easy enough, but none of them could get out again.
Jackson kept moving and eventually found himself on level ground again. The corpses on this side of the ditch were fewer in number. Despite being soaked through with gore and desperately needing to stop and catch his breath, he kept on running, sidestepping one cadaver which came at him, then handing off the next as if he was a rugby player weaving around the opposition to score a try under the posts. And then he realized he was finally beginning to climb, and he looked ahead and saw the castle looming, the imposing wall of old stone stretching up toward the rapidly darkening sky. His thighs burned with the effort but he kept on pushing until he passed the last of the bodies, then slowed as the ground became steeper and exhaustion got the better of him. He moved at walking pace now, struggling to keep climbing. He looked back over his shoulder at the crowds gathered at the bottom of the incline and on the other side of the trench, waiting impatiently to pounce should he slip and fall.
Once he’d reached the castle walls, Jackson followed a roughly meter-wide pathway around the edge of the decrepit fortress toward the front entrance, but it was obvious there was no chance of him getting inside that way. As well as the fact that the huge wooden gate was shut, there were more bodies here, all crammed onto a narrow wooden bridge. He pressed himself back against the stonework and looked down toward the house he’d been sheltering in, trying to assess the situation. A gently curving track wound its way up here from the car park below, and its relatively smooth surface and steady incline had enabled a stream of bodies to make the climb. Over time the main gate had become blocked by an impassable, clogged mass of rotting flesh. Jackson shuffled back the other way, only moderately concerned. Despite the inconvenience of still not having found a way into the castle, he realized it was also a good thing. If I’m having trouble getting in, he thought, then the dead have no chance.
He’d worked his way back around half the perimeter of the immense ruin, looking for another entrance or a place where the wall was lower, when he stopped to look down at an engraved brass tourist map set into stone. Obviously a popular viewpoint, as well as affording him a clear view for miles around, it also gave him a clear appreciation of the true size of the vast crowd waiting for him at the foot of the hill. Thousands of blank faces looked in his direction, an almost incalculable number of them stretching away to the right and left, wrapping around the base of the hill and sealing the castle off.
The brass map had accumulated a light layer of filth which Jackson wiped away with his sleeve. He tried to make out some of the local features it had been designed to highlight: the port of Chadwick some thirty miles east (he was closer to the coast than he’d realized), the smaller town of Halecroft to the south. A reservoir, the ruins
of an abbey, a wealth of other beauty spots and landmarks—none were of any obvious use to him. He was on the verge of giving up for the day, wondering if he should just finish walking around the castle then find enough level ground up here to pitch his tent for the night before moving on in the morning, when something caught his eye. Another entrance. A secret entrance? This was the stuff of bullshit and legend, but it appeared to be real: a smaller, far less obvious way into the castle through a passage carved into the hillside. There was a brief explanation of sorts on the map—something about smugglers getting in and tyrants getting out in times past—but none of it mattered. He orientated himself, worked out roughly where the hidden entrance was, then headed straight for it.
* * *
A padlocked gate, a cage of green-painted iron railings set into the hillside, and an unexpected gaggle of more than a hundred corpses were all that stood between Jackson and the entrance to the tunnel. He stood several meters above the dead and composed himself, watching as several of them tried unsuccessfully to scramble up the wet grass to reach him. Hands shaking with nerves, he lit his last firework and aimed it at the back of the ragged gathering. It shot away from him, and before it had even hit the bodies, he was sprinting directly at them. The rocket exploded and they turned and moved toward the light and noise en masse, giving him a few seconds of space to fight his way through to the gate, metal cutters held ready. With the dead already turning back and beginning to grab at him, he struggled to get through. The padlock clasp was too thick and too strong, but he managed to cut through a link in the chain it secured. Knowing that the firework had burned out and he had again become the sole focus of attention, he wrapped one end of the chain around his hand several times, then began swinging it around wildly like a whip. Its effects were remarkable, slicing through rotting flesh whenever it made contact. With the arc of the chain providing him with an unexpectedly large bubble of empty space, Jackson threw the gate open and disappeared down into the tunnel. The dead followed, but they were no match for his speed. He started back to shut the gate, but there were already too many of them pouring through after him.
The pitch-black and close confines of the damp tunnel walls combined to make him feel uncomfortably claustrophobic, but he had no option other than to keep moving. He ran with arms outstretched, climbing upward and bracing himself, knowing that at any second he might reach a dead end. Christ, he realized, far too late to be able to do anything about it, this bloody tunnel might not even go anywhere. The passage was several hundred years old at least—it could have collapsed, been shut for safety reasons, been rerouted back outside to the bottom of the hill … And all the time he could hear the dead behind him, chasing him down with an almost arrogant lack of speed and absolutely no fear whatsoever.
The lighter. He dug his hand into his pocket and felt for the reassuring metal outline of his lighter. He was running low on fluid, but what the hell. He flicked it on and the unsteady yellow light illuminated the rough carved sides of the passageway immediately around him. Moving with increased speed now that he could see something, he burst into a large, low-ceilinged chamber with various displays mounted on the uneven walls. Something about smugglers, gruesome pictures of starving prisoners … it looked like this had been some kind of dungeon. That’d be about right, he thought as the lighter began to burn his fingers. He swapped hands—not that that made much difference—and desperately searched for another way out. Another short sloping passageway now, leading away at about ten o’clock from where he’d entered the dungeon, then another large open space beyond. He let the flame go out again, conserving lighter fluid as he ran across the width of this second space. He slowed down to walking pace again and felt for the wall with outstretched hands, increasingly aware of the sounds of the clumsy dead following close behind, their shuffling, scrambling noises amplified by their confines. His fingertips made contact with cold stone and he worked his way around to the left until he reached another doorway cut into the rock. He carried on along yet another tunnel, feeling his way forward with his left hand, trying to flick the lighter into life again with the right, the dead sounding closer than ever now. The lighter flame caught, and Jackson saw there was a wooden door directly ahead. It looked relatively modern, and reassuringly solid, and yet he felt the hairs on the back of his neck begin to prick up and stand on end. If I can’t get through, he realized, the sounds of the dead continuing to increase in volume, then I’m fucked.
He hit the door at speed, slamming his hand down on the latch, and it opened immediately. He fell into another space as it swung shut behind him. Up ahead was a body hanging from the wall, its arms shackled, and he screamed out in fright before realizing it was a plastic dummy, dressed in rags and strung up for effect. He stumbled back with surprise and tripped over his own feet, hitting the deck hard and dropping his lighter, which he heard skittle across the floor. The sudden pitch black was suffocating, all consuming. He crawled slowly forward, running his hands along the ground from side to side, desperate to feel the warm metal of the lighter. He found boxes and packaging and what felt like the plastic feet of another executed dummy, but no lighter. He kept crawling until his head hit wall. He yelped with pain and rocked back. In the distance he thought he could hear the dead advancing with renewed speed now, almost as if they were feeding off his pain.
Head throbbing, Jackson felt along the wall until he found the edge of a door. Was it the same one he’d come through or a different one? Had he somehow turned a full circle in the darkness, and if he went through this door, would he be running headfirst toward the dead? He stood up and tried the handle but it wouldn’t open. He shook it, pulled at it, then shoulder-charged it. It gave way and he flew through, landing on his hands and knees in the middle of a small shop. There were shutters down over most of the windows, but he could see enough. Exit through the gift shop, he thought as he picked himself up, then shut the door and blocked it. He jogged down to the other end of the cluttered room, weaving around displays of key rings, mugs, stuffed toys and other equally useless things, then shoved another door open and burst out into daylight.
He was standing on the farthest edge of a large courtyard inside the castle walls, looking down the business end of a rifle barrel.
“Nice fireworks,” the man aiming at him said. “Now who the fuck are you?”
“I’m Alan Jackson,” he answered, breathless, “and I’ve had a hell of a day. Mind if I come in?”
2
The castle’s walls were virtually impenetrable, and its proud, elevated position at the top of the natural rise was ideal. The dead were unable to get anywhere close, save for an unsteady stream—a bizarre slow-motion parade—which dragged themselves tirelessly along the road from the car park, up to the bridge and the impassable wooden gate where they formed an unmoving clot of increasingly decayed flesh. The inconvenience of having a few hundred of them nearby like this was nothing compared to the constant nightmare of thousands which Jackson had become used to.
Inside, the once-magnificent ancient fortress was far less impressive. The outer wall and the gatehouse were the oldest parts of the site still standing. Some inner walls had been reduced to little more than crumbled piles of stone, battle-worn and weather-beaten into submission over the centuries. Along the full length of the eastern side of the outer wall, several hundred years newer but in no better state, were the remains of a series of inner buildings. What had once been stables, a bakery, a great hall, living quarters and various other rooms were now all open, roofless spaces alike. Some had been repurposed by the most recent owners of the estate; a few areas either strengthened or replaced completely with out-of-character prefabrications to make a series of interconnecting rooms: an L-shaped display area and museum with a small onsite classroom in one corner, a café with a small but reasonably well-equipped kitchen leading off it, and at the end stood the gift shop through which Jackson had made his dramatic, unannounced entrance.
Jackson spent a lot of time up on the roo
f of the gatehouse tower, looking out over the battlements like a medieval lord of the manor. He felt as if he was under siege. The dead continued to amass all around them, waiting on the horizon like a germ-choked army of old, poised to charge. Except he knew they couldn’t. For now.
Kieran Cope, the man who’d shoved a rifle in Jackson’s face when he’d first arrived, became his man-at-arms. Kieran was tall and slim, and his manner of dress was very different to Jackson’s. Rather than the practical, hardwearing clothing which Jackson almost always wore, Kieran favored jeans, T-shirts, hoodies and jackets. He’d been here since the beginning, and had so far been spared the rigors Jackson had endured out in the field. Kieran looked less like one of the few remaining survivors of a global apocalypse, and more like a student who’d just wandered in from a night at the pub.
Jackson’s arrival had revitalized the flagging fortunes of the handful of people who’d already made Cheetham Castle their home. Apart from Kieran there were two others, though there had originally been three. Before the apocalypse, Melanie Hopper had juggled three jobs—one cleaning, the other two in local bars, mostly undeclared and paid in cash to keep her below the benefits threshold so she didn’t lose her council flat but could still go out drinking most nights. She’d been vacuuming in the museum when everyone else had died, and had barely noticed anything until half an hour after the event when she switched off her music, took out her headphones, and found Shirley Brinksford sitting in the middle of the courtyard, sobbing.