Hater h-1 Page 11

  'You fucking people have clamped my car,' he yells. 'There were no signs and no markings. This is an absolute fucking disgrace. I've missed a meeting because of you people...'

  I still can't move. He's still shouting but I've stopped listening to what he's saying. I stare into his face and slowly shuffle further back until I'm pressed up against the wall. Is this man really a Hater? Oh Christ, is he about to explode and kill us both? What the hell do I do? Do I just run? The man looks at Hilary and then at me. I try not to make eye contact but I can't help it. I can see Hilary out of the corner of my eye. She's shaking like a leaf. She's usually rock-hard but she's as frightened as I am. I have to do something.

  'Look…' I start to say, my voice quiet and unsteady.

  'Don't give me any bullshit,' he snaps, his voice no quieter or calmer, 'I don't want any bullshit. Just get this sorted out and do it now. I need to get back to my office. I'm at the end of my fucking tether here and if I don't get…'

  He leans forward again and we both physically recoil.

  'Please…' Hilary mumbles meekly. She starts to sob. Under the desk she presses the personal attack alarm. I can hear the high-pitched screech of the alert ringing out in the main office.

  The man stops. His expression changes. He hears the sound too. He looks from me to Hilary and back again once more. His eyes are suddenly wide with shock and panic. What the hell's he got to be afraid of? He's the one who came in here and…

  'I'm sorry,' he says quickly, taking a couple of steps back away from the desk. 'I'm sorry, I didn't mean to…'

  Realisation dawns.

  His voice is now at a fraction of its previous volume. Hilary and I are stood there, just waiting for him to explode again. Instead he crumbles. He realises that we're scared and now he's the one who's frightened that we're going to react.

  'I'm not one of them,' he says, pleading with us to believe him. He looks like he has tears in his eyes. 'Honest I'm not. The parking ticket made me mad and I just over-reacted, that's all. I'm not a Hater. I don't want to fight. I'm not going to hurt anyone…'

  I still can't do anything. I'm frozen to the spot. This whole situation feels alien and bizarre. It's an uneasy standoff which ends as quickly as it began. The man seems to be about to say something else but he doesn't. Instead he turns and walks out of the building, still clutching his parking ticket.

  15

  Lunchtime.

  It's a couple of hours later than I'd originally planned to take my break. It would have been more sensible and probably safer to stay in the office but I've had to come outside. I had another call from Lizzie. Her day trapped at home with the kids is getting worse. We need bread and milk but they're acting up and she can't face taking them anywhere. I said I'd get some while I was here. I was going to wait until after work but I'm glad I didn't. The supermarket shelves were almost empty. There won't be anything left tonight.

  Without thinking I find myself back in Millennium Square again. It's still not as busy as it normally is but there are plenty of people here and…

  What the hell was that?

  I'm stood in the middle of the square by the fountain and everything has just gone crazy. Everyone drops to the ground and I do the same. There was a noise - a single loud crack like a gunshot. But it couldn't have been, could it? I slowly lift my head from the ground. People are starting to get up. Some are already running in all directions and it's impossible to see what's happened. Others like me remain unmoving, trying to work out what's going on and where the danger is. I have to move. I have to get out of here. I get up and start to run back in the direction of the office but it's difficult to get through with so many people suddenly zig-zagging all around me. I stop and crouch when I hear the sound again. It was a gunshot. It can't have been anything else.

  Just to my left a group of people are screaming and yelling in panic. On the ground, right in the middle of them, is a body. I'm not close enough to see any detail but I can see that there's a quickly spreading puddle of blood around the top of the person's head. People start to move again, tripping and stepping over the corpse. Maybe that's it. Maybe it's over now. Maybe that's the body of the Hater lying dead on the ground and things will start to…

  What now? People are running past me. Have they seen something that I haven't? I've got to get out of here before I get myself… too late - there's a third gunshot which comes from my left and which sends the crowd scattering in the opposite direction like frightened pigeons. I have to keep moving but my legs feel as heavy as lead. I'm disorientated. I look up at the buildings around the edges of the square, trying to get my bearings and work out which way to run. When I think I finally know which way to go I take a few quick steps forward, weave around another few frightened people, and then stop dead in my tracks.

  The crowd has cleared ahead of me. No more than ten meters in front of me now stands a police officer, armed like those I saw here this morning. He's scanning the square, moving his head slowly from side to side. Now he's stopped and he's lifting his rifle again. Fuck, he's pointing it in my direction. Fucking hell, he's aiming at me! I look straight into his face and he stares back into mine. Do I drop to the ground again? Do I turn and run or…?

  Fourth gunshot.

  The officer fires and Jesus Christ, I can almost feel the shot whistle past the side of my face. I slowly look over my shoulder and see another body on the ground not far behind me, a bloody gaping hole in its face where its cheekbone used to be. Shaking, I turn and run. I'm going in the opposite direction from where I want to go but it doesn't matter. I just have to get out of here. What if it's me next? What if he's aiming for me now? Any second and I could hear the crack of the next shot and I could be down with a bullet in my back. I don't have a fucking chance. Just got to keep moving and hope that someone else gets between me and the gunman. Move faster. Move faster I keep telling myself. Keep running. Get yourself out of range. Keep going until…

  Fifth shot.

  Nothing. Didn't hit me.

  Sixth, seventh and eighth shots in quick succession. They sounded like they came from a different direction this time? I glance back into the middle of the square.

  The armed police officer is down. Another officer stands over him and unloads shots nine, ten and eleven into the twitching body of their former colleague.

  I keep running. As I move a single devastating thought crosses my mind. Was that police officer a Hater? Christ, if there are people in the police force who are capable of this kind of cold-blooded, emotionless violence then what the hell are we supposed to do? The implications are vast and terrifying. Who's going to keep control? What the hell happens now?

  I have to get home. Fuck work. Forget about the job. I change direction and run as fast as I can towards the station. I have to get back to Lizzie and the kids.

  16

  Thank God the trains are running today. It took hours to get home yesterday and I don't want to be out on the streets any longer than I have to be tonight. It only took a few minutes to get from the square to the station and I didn't have to wait long for a train. Christ knows what Tina's going to say to me tomorrow if I go back to work. I could call her from my mobile now and explain what's happened but I don't want to. I don't want to speak to anyone. I just want to get home.

  There are just three carriages on this train. There can't be any more than twenty people on board. I've found myself a seat as far away from everyone else as possible. This is literally the last seat on the train, right at the very back of the third carriage. There are two other people in here with me. They're both nearer the front, one on either side of the aisle. I find myself trying to watch them constantly, scared that one of them might turn because as long as the train is moving I'm trapped in here with them. Now and then I see one of them look around. They're as anxious as I am. My stomach is churning and I feel like I'm going to throw up. I don't know whether it's the movement of the train or nerves that's making me feel sick.

  We're pulling into th
e last station before home. Christ, I hope no-one gets on here. I've got my mobile phone in my hand and I have had since I got on. I want to call Lizzie and tell her I'm on my way back but I can't bring myself to do it. How stupid is that? I don't want to talk out loud because I don't want to attract any attention to myself. I don't want to do anything that's going to give the other passengers any reason to even look at me.

  The train slows down and stops. I look out onto the platform (trying not to make it obvious that I'm staring) and watch as a handful of people shuffle quietly towards the train doors. One person from this carriage gets up and gets off and another passenger arrives. It's a man in a long grey trench coat with a laptop bag slung over his shoulder. I do everything I can to avoid making eye contact with him but I have to keep watching. I have to see where he's going. Is he coming this way? Shit, he is. I quickly look down at the floor now, desperate not to let him know that I was watching. Is he still coming towards me? Is he getting closer?

  He's stopped. I'm sure he must have stopped and I can't believe how relieved I suddenly feel. Christ, this is stupid. Am I paranoid? Am I the only one acting this way? I can't believe I am. Very, very carefully and moving very, very slowly I allow myself to look up and around again. The train judders and jolts as it shunts out of the station and I cautiously pull myself up using the back of the seat in front of me for support. The newly arrived passenger is sitting halfway down the carriage on the other side of the aisle. He looks like he's deliberately put as much distance between me and the third passenger as he can. Thank God.

  I press my head against the window and watch the familiar sights and landmarks rush by. It all looks the same but everything feels different this afternoon.

  Not far now. Almost home.

  17

  No more bullshit. It's just gone nine and the kids are finally in bed. Now we can drop the pretence. Now we can forget the happy voices and the smiles and laughs we've put on just for their sake. Now Liz and I can sit down together and try and get our heads around what's going on here. There's no point involving the children in any of this. What good would it do? If we can't work it out, what chance have they got? Better that they remain ignorant and happy. Ed's starting to suspect something's wrong but the little two are blissfully unaware. I wish I was.

  We've been sat watching the headlines go round on a loop for about twenty minutes.

  'This is different tonight,' she says. 'It's changed.'

  'What's changed?'

  'The news. They've stopped telling us what's happened. You keep watching and you'll see what I mean. All they're doing now is trying to tell us how to deal with things.'

  She's right. There's been a definite shift in the focus of the TV news channel we're watching tonight and I hadn't picked up on it until Liz pointed it out. Until now there's been a steady stream of reports about individual attacks and major incidents but all of that has now stopped. Now all that's been broadcast is little more than a series of instructions. They're not telling us anything we haven't already heard - stay away from people you don't know, stay at home if possible, watch out for erratic and irrational behaviour and alert the authorities if trouble breaks out, that sort of thing. It's all straightforward, common-sense stuff.

  'Probably not worth wasting time reporting on everything that's happening,' she says. 'One fight in the street's pretty much the same as the next.'

  'I know,' I agree. 'There's still something else missing though, isn't there?'

  'Like what?'

  'If you listen to what they're saying, they're still telling us that everything's under control and the problem's contained but…'

  'But what?'

  'But no-one's coming up with any explanations. No-one's even making any attempt to explain what's happening. That tells me they're either keeping something from us or…'

  'No-one's managed to work it out yet,' she interrupts before I've had chance to finish my sentence.

  18

  It's dark. The house is silent. I'm tired but I can't sleep. It's almost two in the morning.

  'You awake?' I ask quietly.

  'Wide awake,' Lizzie answers.

  I roll over onto my side and gently put my arm around her. She does the same and I pull her closer. It feels good to have her next to me like this. It's been too long.

  'What are you going to do in the morning?' she asks. The side of her face is touching mine. I can feel her breath on my skin.

  'Don't know,' I answer quickly. I want to stay at home but there's a part of me that still thinks I should go back to work. The longer I've laid here awake, the more I've slowly managed to convince myself that it will be safe to go back to the office tomorrow. Stupid bloody idiot. I watched people being shot in the middle of town today. There's no way I can go back there.

  'Stay here,' she says quietly. 'Stay here with us. You should be here with me and the children.'

  'I know, but…' I start to mumble.

  'But nothing. We need you here. I need you here. I'm scared.'

  I know she's right. I wrap my arms further around her and run my hand down the ridge of her spine. She's wearing a short nightdress. I put my hand underneath it and feel her back again. Her skin is soft and warm. I expect her to grumble and pull away from me like she usually does but she stays where she is. I can feel her hands on my skin now.

  'Stay here with me,' she whispers again, slowly moving her hand across my backside and down before sliding it between my legs. She starts to stroke me and despite all the fear, confusion and uncertainty we're both feeling I'm hard in seconds. I can't remember the last time we were intimate. There always seems to be a reason why we can't be close. Something or someone always gets in the way.

  'How long's it been?' I ask, keeping my voice low.

  'Too long,' she answers.

  Lizzie rolls over onto her back and I climb on top of her. I carefully slide inside her and she grips me tightly. I can feel her nails digging into my skin. She wants me as much as I want her. We both need each other tonight. Neither of us says a word. No talking. There's nothing to say.

  It's four-thirty. I don't remember what happened. I must have fallen asleep. It's still dark in here and the bed's empty. I look round and see Lizzie standing by the door.

  'What's wrong?'

  'Listen,' she whispers.

  I rub sleep from my eyes and sit up. I can hear noises coming from above us. The sounds are quiet and muffled. Something's happening in the other occupied flat upstairs. There are voices - raised voices - and then the sound of breaking glass.

  'What's going on?' I ask, still drugged with sleep.

  'This started about five minutes ago,' she explains as the voices above us get louder. 'I couldn't sleep. I thought…'

  A sudden thump from the flat above interrupts her. Now the whole building is silent. It's a long, uncomfortable and ominous silence which makes me catch my breath. The bedroom is cold and I start to shiver through a combination of the low temperature and nerves. Lizzie turns round to face me and is about to speak when another noise makes her stop. It's the sound of a door slamming upstairs. Seconds later and we hear hurried, uneven footsteps in the lobby outside, then the familiar creak of the front entrance door being pulled open. I start to get out of bed.

  'Where are you going?' she asks.

  'I just want to see…' I start to say although I'm not really sure what I'm doing.

  'Don't,' she pleads, 'please don't. Just stay here. Our door's locked and the windows are shut. We're both safe and so are the kids. It doesn't matter about anybody else. Don't get involved. Whatever's going on out there, don't get involved…'

  I have no intention of going outside, I just want to see what's happening. I go into the living room. I hear a car's engine start and I peer through the curtains, making sure I can't be seen. One of the men from upstairs - I can't see which one - drives away at an incredible speed. I couldn't make out much detail, but I did see that there was only one person in the car and that immediately starts m
e thinking about who, or what, is left upstairs. I turn around and see that Lizzie is in the living room with me now.

  'Maybe I should go up and check…?'

  'You're not going anywhere,' she hisses. 'Like I said, our door's locked and the windows are shut. We're safe here and you're not going anywhere.'

  'But what if something's happened up there? What if someone's hurt?'

  'Then that's someone else's problem. I don't care. All we need to think about is the children and each other. You're not going anywhere.'

  I know she's right. Out of duty I pick up the telephone and try to dial the emergency services. Christ, I can't even get an answer.

  Lizzie goes back to bed. I'll follow her in a couple of minutes but I already know I won't sleep again tonight. I'm scared. I'm scared because whatever it is that we've seen happening to the rest of the world now suddenly feels a whole lot closer.

  THURSDAY

  19

  I wake up before the alarm goes off and lie still and stare up at the ceiling as I try again to make sense of everything that's happened over the last few days. It all seems implausible and impossible. Has anything actually happened at all? I still can't help wondering if this is all just the result of peoples' fucked-up and overenthusiastic imaginations or whether there really is something more sinister and bizarre going on? In the cold light of morning it's difficult to try and comprehend all that I've seen and heard. I start trying to convince myself to get a grip, get up and get ready for work. But then I remember what I saw in Millennium Square yesterday and I'm overcome with nerves and uncertainty as the reality of it all hits me again.